Disclaimer: I am not pro-opposition, and neither am I pro-government. I am just pro-common sense!
The most recent thing that makes my blood pressure shoot up is the RM5bil Menara Warisan proposed under the 2011 National Budget. The first thing that came to my mind when I saw it in the papers is: what are they thinking? We are not a rich country, and hence, RM5bil should be spent very carefully, and not on some unnecessary luxury. A poor man shouldn't drive a new Mercedes if he can't even pay his rent.
Why I think the idea is totally ridiculous: KL has enough tall buildings. In fact, the Petronas Twin Towers are probably the most distinctive skyscrapers in the world. They have certainly put Malaysia on the map. People all over the world know about them and immediately think of Malaysia when they see them. In fact they give them their own names e.g. chopsticks. So, why is there a need for another one?
RM5bil is a lot of money. You can do a lot with that.
I feel that they could spend it on improving vocational education in Malaysia, thereby providing people with skills that can improve their standards of living. Vocational education is really important for the scores of people who are not into (or not suited to) academia. In countries like the UK and Germany, it plays a major role in training mechanics, plumbers, builders, carpenters who are then empowered by their skills to venture into business or to gain employment.
They can improve the status of our local universities and hence put us on the map for an even better reason. The level of research could be greatly improved, and other courses such as the arts (music, drama, fashion) could be developed.
They could also improve infrastructure in Sabah and Sarawak by building highways, or rail links, thereby spurring development in these areas and improving our GDP as a result. In fact, even the railway in Semenanjung could do with upgrading. It definitely should not take 12 hours to get to Kelantan from KL by train. They could build a tunnel through the mountains and create excellent road and rail connections between the east and west coast (just like what Switzerland has recently done). Such infrastructure makes the country more attractive for foreign investment. Imagine if you could get to Kota Bharu by train in 2 hours? Or what if you build a high-speed train linking Perlis to Singapore? Imagine if it travels at 250kph? That would allow you to travel to Singapore in 3 hours! Or KL to Singapore in 1.5 hours! Such amazing logistics create limitless business opportunities!
The underprivileged society in Malaysia could certainly do with some help. Social benefits should be improved to emulate systems in the UK and in European countries. Disability allowance and job-seekers allowance should be introduced/improved. At the moment, crime is such a major problem in Malaysia and I believe it's due to an obvious reason: socioeconomic disadvantages. Giving them aid and guidance would be a deterrent from involvement in crime, and could help them move their lives in the right direction.
They could also improve our border protection to avoid illegal immigrants pouring in from all the surrounding countries. This is certainly an issue in Sabah where there are huge numbers of illegals from the Philipines and Indonesia, who contribute to a lot of socioeconomic problems.
Above are the many opportunity costs for the 5bil. I just hope people just do what is right in the end, and finally make a difference.
Saturday, 23 October 2010
Friday, 1 October 2010
MPO Concert at Dewan Filharmonik Petronas
Last weekend, I went to see a concert by the Malaysian Philharmonic Orchestra at the Petronas Philharmonic Hall (Dewan Filharmonik Petronas) with Sharmini. The programme was, of course, mainly Russian:
The hall is certainly a lot grander than the other halls I mentioned, with beautiful wood features and a stunning chandelier-like thing which dominates the hall. The organ is also beautifully integrated into the wall of the hall, creating an impression of neatness and perfection.
The only grouse I have about the DFP is its seating. The stall seats are all below stage level, forcing the audience to look up towards the stage and limiting their view only to the front rows of the orchestra i.e. only the strings. It was impossible to see the woodwind section from the stalls. This limitation prevents the audience in the stalls from appreciating the magnificent orchestra as a whole. However, if you're willing to splurge, the box seats would be more than perfect in terms of acoustics and visibility.

I felt the dress code was rather unecessary. DFP is the only concert hall that I've been to that enforces a strict dress code. It creates a very elitist feel, especially to their evening concerts which require evening wear. I believe this sends out the wrong impression to the public because classical music should be made accessible to all, and not exclusively to a select few. I will understand if the DFP bans slippers, but I don't see why people can't enjoy music wearing jeans or even shorts. I have done that many a time in Europe and America and I find that it removes a lot of hassle from the concert experience.
Now about the audience. There was quite a mix of expatriates and Malaysians. They weren't as silent as the audiences I am accustomed to, and therefore, I found their whispering and murmuring very intrusive during the concert. They applaud immediately and do not wait for the impact of the piece to take effect after the pieces end. The pin drop silence after a deafening finale was not present as much as I'd liked it to be.
The MPO played wonderfully well. However, it wasn't particularly Malaysian because close to 90% of its members are expatriates! Ruslan and Ludmyla was executed to perfection, with every single semi quaver in perfect sync. The piano concerto was my favourite piece of the day, and I was extremely impressed by Alexandre Tharaud's (piano) agile, expressive and playful interpretation of it. It was simply a pleasure to experience. Mussorgsky's Pictures at an Exhibition was also very well played, but as I am too familiar with the piece, I did not enjoy it too much because I knew every note before it was played! As it was Sharmini's first time hearing this piece, it was rightfully her favourite piece of the day.
As a whole, the experience was excellent and I look forward to my next concert: Prokofiev Violin Concerto No.2 and Shostakovich Symphony No. 8. I also hope that classical instruments gain more popularity among common Malaysians so that the MPO will eventually be truly Malaysian!
- Mikhail Glinka: Overture to Ruslan and Ludmyla
- Maurice Ravel: Piano Concerto for Left Hand
- Modest Mussorgsky: Pictures at an Exhibition
The hall is certainly a lot grander than the other halls I mentioned, with beautiful wood features and a stunning chandelier-like thing which dominates the hall. The organ is also beautifully integrated into the wall of the hall, creating an impression of neatness and perfection.
The only grouse I have about the DFP is its seating. The stall seats are all below stage level, forcing the audience to look up towards the stage and limiting their view only to the front rows of the orchestra i.e. only the strings. It was impossible to see the woodwind section from the stalls. This limitation prevents the audience in the stalls from appreciating the magnificent orchestra as a whole. However, if you're willing to splurge, the box seats would be more than perfect in terms of acoustics and visibility.

I felt the dress code was rather unecessary. DFP is the only concert hall that I've been to that enforces a strict dress code. It creates a very elitist feel, especially to their evening concerts which require evening wear. I believe this sends out the wrong impression to the public because classical music should be made accessible to all, and not exclusively to a select few. I will understand if the DFP bans slippers, but I don't see why people can't enjoy music wearing jeans or even shorts. I have done that many a time in Europe and America and I find that it removes a lot of hassle from the concert experience.
Now about the audience. There was quite a mix of expatriates and Malaysians. They weren't as silent as the audiences I am accustomed to, and therefore, I found their whispering and murmuring very intrusive during the concert. They applaud immediately and do not wait for the impact of the piece to take effect after the pieces end. The pin drop silence after a deafening finale was not present as much as I'd liked it to be.
The MPO played wonderfully well. However, it wasn't particularly Malaysian because close to 90% of its members are expatriates! Ruslan and Ludmyla was executed to perfection, with every single semi quaver in perfect sync. The piano concerto was my favourite piece of the day, and I was extremely impressed by Alexandre Tharaud's (piano) agile, expressive and playful interpretation of it. It was simply a pleasure to experience. Mussorgsky's Pictures at an Exhibition was also very well played, but as I am too familiar with the piece, I did not enjoy it too much because I knew every note before it was played! As it was Sharmini's first time hearing this piece, it was rightfully her favourite piece of the day.
As a whole, the experience was excellent and I look forward to my next concert: Prokofiev Violin Concerto No.2 and Shostakovich Symphony No. 8. I also hope that classical instruments gain more popularity among common Malaysians so that the MPO will eventually be truly Malaysian!
Wednesday, 15 September 2010
Malay Songs I Used to Love (still do!)
I was looking through my cupboard today and I found an old catalogue of all the music in my MiniDiscs (MDs) from 2001. Here are some forgotten gems I found
Nora: Dendam Dalam Diam
Nora: Hadirlah Kekasih
Nora: Di Persimpangan Dilema
Fran: Sekadar Di Pinggiran
Aishah: Janji Manismu
Nora: Dendam Dalam Diam
Nora: Hadirlah Kekasih
Nora: Di Persimpangan Dilema
Fran: Sekadar Di Pinggiran
Aishah: Janji Manismu
Tuesday, 14 September 2010
A Bad Memory
For some reason, today I was reminded about one of my worst memories. I was a second year in KMB and I was picked along with a few others from my class to do a "talent presentation" in front of the whole class as part of our Malay internal assessment. Naturally, when this happened, I tried to worm myself out but to no avail. The teacher was telling each of us what type of presentation she would like e.g. reading a Sajak, Puisi, Pantun and singing. To my horror, I was told to sing about Blanche from "A Streetcar Named Desire". I knew it was coming to me before she even said it. I knew it wasn't random selection. If there was anyone my teacher would've picked to sing, it would be me. I don't know why, but I am convinced of it!
So I went home and reluctantly chose some song by Artie Shaw to sing to. And after much whining to everyone who would listen, I wrote my lyrics and practiced singing in my head over and over again. My laptop speakers were too soft so I decided to use Shafiq's laptop, which had Harman Kardon speakers which were much louder.
The morning came and I woke up with much trepidation and dragged my feet to class. I remember distinctly that Malay was the first period of the day. Some of my other unlucky classmates were reading poems and I remember Aishah was as unfortunate as me to be chosen to sing. After everyone was done, my turn finally came so I went to the back of the class and prepared the laptop and loaded the song. My heart was like a bird fluttering wildly in my chest. All eyes were on me. I cranked up the volume to the max and played the track. To my dismay, it was so soft even on Shafiq's laptop. It was like a tiny whisper in the background. This was of course, appalling because that would mean that everyone would be hearing my voice without any background music to drown it down. I stood there like a statue. Everyone was looking and I just felt mortally embarrassed. My teacher wouldn't back down and kept asking me to start before the period ended and so I finally started singing (after restarting the track for the umpteenth time). My mouth was so dry from the adrenaline and so my voice was so raspy and scratchy. I couldn't really hold any notes and for the whole time, I thought (or wished) that I would just collapse so the whole thing would end. The song felt like it would never end. My voice was getting progressively worse and my chest felt like it was going to burst open.
As all things do, it eventually came to an end. All eyes were fixed on me because no one knew where else to look, and there was pin-drop silence. I knew that they were very uncomfortable and not knowing what to do. I'm sure it was also horrifying for them to have witnessed such torture. Someone started clapping and so everyone did too, out of politeness. Still wishing that I would somehow collapse or disappear, I slowly made my way back to my desk at the front of the class, where the teacher was standing. She looked at me with much disappointment and said "that wasn't too bad was it? You're not dead?" I just smiled back and thought to myself, "yes it was THAT bad and I'd much rather have stripped in front of the class!"
So I went home and reluctantly chose some song by Artie Shaw to sing to. And after much whining to everyone who would listen, I wrote my lyrics and practiced singing in my head over and over again. My laptop speakers were too soft so I decided to use Shafiq's laptop, which had Harman Kardon speakers which were much louder.
The morning came and I woke up with much trepidation and dragged my feet to class. I remember distinctly that Malay was the first period of the day. Some of my other unlucky classmates were reading poems and I remember Aishah was as unfortunate as me to be chosen to sing. After everyone was done, my turn finally came so I went to the back of the class and prepared the laptop and loaded the song. My heart was like a bird fluttering wildly in my chest. All eyes were on me. I cranked up the volume to the max and played the track. To my dismay, it was so soft even on Shafiq's laptop. It was like a tiny whisper in the background. This was of course, appalling because that would mean that everyone would be hearing my voice without any background music to drown it down. I stood there like a statue. Everyone was looking and I just felt mortally embarrassed. My teacher wouldn't back down and kept asking me to start before the period ended and so I finally started singing (after restarting the track for the umpteenth time). My mouth was so dry from the adrenaline and so my voice was so raspy and scratchy. I couldn't really hold any notes and for the whole time, I thought (or wished) that I would just collapse so the whole thing would end. The song felt like it would never end. My voice was getting progressively worse and my chest felt like it was going to burst open.
As all things do, it eventually came to an end. All eyes were fixed on me because no one knew where else to look, and there was pin-drop silence. I knew that they were very uncomfortable and not knowing what to do. I'm sure it was also horrifying for them to have witnessed such torture. Someone started clapping and so everyone did too, out of politeness. Still wishing that I would somehow collapse or disappear, I slowly made my way back to my desk at the front of the class, where the teacher was standing. She looked at me with much disappointment and said "that wasn't too bad was it? You're not dead?" I just smiled back and thought to myself, "yes it was THAT bad and I'd much rather have stripped in front of the class!"
Monday, 13 September 2010
Cars
The situation in Malaysia really sucks for anyone who loves cars (like me). Foreign cars cost an arm and a leg due to the insanely high tax and even local cars aren't all that cheap, despite how unimpressive they can be.
Let me start with my issues with local cars. My family have had it's fair share of Malaysian cars: an original Proton Saga, a Wira Aeroback, 3 different Perdanas and now a Satria Neo.
They cut corners.
I will not accept that there is a lack of talent or expertise. There are thousands of Malaysians that are educated to the highest standards possible. A lot have even qualified with Engineering degrees from the top universities in the UK, US, Germany, France, Japan and Korea. Many of them where given scholarships by the government. I know that many have electrical engineering degrees and probably not many have automotive engineering qualifications. I'm also sure Malaysia does not lack artistic talent for designing cars? There have to be some artists in this country?
What needs to be done
Let me start with my issues with local cars. My family have had it's fair share of Malaysian cars: an original Proton Saga, a Wira Aeroback, 3 different Perdanas and now a Satria Neo.
They cut corners.
- The interiors have a very cheap plasticky feel. Some of the parts on the dashboard don't seem to fit perfectly well (there are gaps in some places where 2 pieces of plastic come together, and in other places, the parts stick out slightly).
- Interior room is poorly designed. Take the Satria Neo for instance. It is generally very cramped on the inside, especially for the back passengers where there is very little legroom and headroom. Let me compare this to a Volkswagen Polo that looks tiny, but comfortably fits 3 European-sized adults in the rear.
- They lack refinement. Sound-proofing is poor, resulting in very intrusive wind and engine noise at higher speeds. Some cars (especially Kancils and Kelisas) rattle even at moderately high speeds producing a sensation of unsteadiness and frank danger. The suspension on my Satria Neo is plain bad and even little bumps cause a huge jolt on the inside.
- They don't have adequate safety equipment compared to European standards. The maximum number of airbags is 2, with some only having driver airbags. Options of upgrading to curtain airbags are non-existent. No one can deny that Kancils are just deathtraps.
- There is very little room for customising your car (unless you go to a shop and get it modified after buying it). Engine options for each model are few and far between (usually 2), manual transmission is not available for all ranges of engines, and diesel models are unheard of. Compare this to buying a car in the UK where you can get overwhelmed by the choice of engines and the endless lists of optional extras.
- The designs are unoriginal and are carbon copies of other cars. This is no longer true for Proton, because they now design their own cars, which I am very proud of. Congratulations. But to Perodua, Naza etc, they are just producing carbon copies of Japanese models. Take for instance, the MyVi, which is basically a Daihatsu Sirion with a perodua label on it. I personally find that shameful to say the least.
- Some models are SO outdated. For example, the Perdana (of which production only stopped last year) was released in 1994. This model has been sold for the last 15 years! The old Saga was sold for far too long too (with various facelifts, but essentially, the same car!)
- The cars tend to be very basic and don't really have any inspiring features such as adaptive headlamps, light sensors, rain sensors, parking cameras, built-in navigation systems, electronic user interfaces. Hence to fill space in brochures, they even put "Keyless-entry" as a feature. When I read that the first time, I thought it was keyless ignition. I was about to be impressed, when the salesman told me that it just meant remote-controlled locks/alarms (which have been around since the early 90s!)
I will not accept that there is a lack of talent or expertise. There are thousands of Malaysians that are educated to the highest standards possible. A lot have even qualified with Engineering degrees from the top universities in the UK, US, Germany, France, Japan and Korea. Many of them where given scholarships by the government. I know that many have electrical engineering degrees and probably not many have automotive engineering qualifications. I'm also sure Malaysia does not lack artistic talent for designing cars? There have to be some artists in this country?
What needs to be done
- Increase competition with foreign cars to put more pressure on local car companies to perform. Reduce the tax on foreign cars but still keep it to the point where they cost a bit more than local cars. This should spur some panic and perhaps knock some competitive spirit in them.
- Capitalise on Malaysia's talent. Employ these Engineering students who return home and find themselves jobless (and therefore leave the country again!) - JPA should deploy their scholars here. Consult with Malaysians who are involved in the automotive industry abroad. I'm sure if you maximise the utilisation of brains, you'd be able to produce very impressive cars with advanced electronics and great features (such as mentioned above). With them on board, I'm sure you'd be able to design more engines quickly too (petrol, diesel, hybrid).
- Use better quality plastics! Don't use the current ones which give such a scratchy feel! Try using something similar to what BMW or Mercedes use! Use higher quality buttons so they don't feel like they'll fall off after a year.
- Put more emphasis on safety. Ensure that you provide buyers with the option of having 6 airbags etc.
- Really test out your models before releasing them to tackle problems such as interior space, comfort and refinement. Sound proof your cars well so they will feel more expensive, and hence, more worth the money.
- Renew your models every 5 years or so. Don't keep selling the same model with a slight facelift here and there for ages.
- Stop copying foreign car models. I find this disgraceful and defeats the purpose of having a national car. What is the point of having your own brand if you're just selling someone else's product with a different label? Have a nationwide call for talented people who can help design our own models and perhaps get some help from Malaysians working in car industries overseas.
Saturday, 4 September 2010
Driving in Kuala Lumpur

Several words may succinctly describe the experience of driving in KL: appalling, chaotic, stressful, idiotic. Yesterday, I decided to drive to KLCC from Ipoh knowing full well that there was going to be a jam due to the Raya shopping crowd. Rookie error. I was well on my way down Jalan Sultan Ismail (in denial about the jam) when all of a sudden, I realised that the road was closed further down for who knows what. At this point, all hell broke loose.
There was a MASSIVE jam, and there were more lanes in the road than there was supposed to be. NO ONE was giving way (ok I lie, one person in a gold Toyota gave way). No one cared what the bloody traffic light was showing (it was just a slightly interesting ornament by the street that wowed everyone by it's bright colours). I was fucking pissed off because it didn't matter if the traffic light was green for me because imbeciles from the other side were pouring in and congesting the road further. Basically, there were no rules, besides the rules of the jungle (hutan rimba). People were being aggressive and idiotic, hence reducing themselves to baboons, the kind with the red ass. Motorcylcles were EVERYWHERE. They are the most bloody annoying things. They don't stick to any particular lane. They swerve in front of you if they feel like it (and you're forced to make sudden brakes because you don't really feel like killing anyone). And worst still, I had to change lanes in this chaotic situation. It was a complete fucking nightmare.
And about driving in Malaysia in general (as well as today): yellow boxes and zebra crossings: who the hell knows what they are! They are decorations put there so tourists can take pretty pictures. Yellow lines, double lines? Who cares. Just park your bloody car anywhere it fits: on the road, on the pavement, at a roundabout, in front of other parked cars. In fact, just park in the middle of the road if you have to. I'm sure other people will try to avoid it.
This happens because the traffic police have failed miserably to assert their authority, due to rampant corruption and general apathy which has resulted in very little respect from the general public. Malaysians are also generally inconsiderate and reckless when it comes to rules and regulations. They are, in general, not civic-minded like Europeans. Hence, hoping for them to adhere to rules is a lost cause. The way to make it work is to FINE their asses and threaten their licenses with DEMERITS. Fine them for: beating red lights, speeding, parking illegally, not stopping at yellow boxes, not stopping at zebra crossings, tailing ambulances. FINE THEIR ASSES. THREATEN THEIR LICENSES. Fine them consistently, because if you do it half-heartedly, you will confuse them, like how a child becomes screwed up if parents are inconsistent at punishing and rewarding him. Look at Singapore. Without their strict police, they too will drive like apes, like when they've crossed over to Malaysia. But due to the constant fear of being fined, they drive so beautifully. So, dear traffic police, can you please uphold the rules that you are supposed to uphold?
Of course, I can't blame them for being corrupt because they probably don't get paid much at all. They've got to pay the bills and feed their children somehow. So, their pay should be increased! Maybe the same pay as doctors. It's worth it. Pay them well, and they will not be corrupt anymore. And increase their numbers so their presence will be felt on the road and people will know that they're constantly being watched.
The benefits of this
- People will stop driving like red-assed baboons and more like human beings. Hence less stress on the road
- Fewer accidents on the road, hence fewer deaths
- No bloody plastic cones all over the place (hospitals, shopping malls, government buildings) to stop people from parking their cars
- The fines can indirectly contribute to the pay of the traffic police
- And keep this going for years, and you will finally successfully instil some civic-mindedness
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